Stamping...

...isn't something I do very often.  Mostly, that's because I don't like using other peoples' images or work.  I have never gone for the Somerset Studios variety of mixed media, that uses copyright free images, usually vintage.  There used to be an awful lot of it about, and it all looked the same.  Not my thing.  Sometimes, though, it's justifiable, usually when I want an effect that I can't reproduce myself; like this.

I can't imagine carving something as detailed as this; actually, as you know, I'm giving that sort of thing up, as soon as I've finished the current crop of lino blocks for the Spears and Shields series.  And sometimes I see a stamp that I Just Like, so I buy it.  Mostly, though, if I can't make it myself, I don't use it.

When I went into the studio this morning, I discovered, to my surprise, that the paint I'd mixed earlier in the week was still usable, thanks, I presume, to a combination of medium and clingfilm.  So I thought I'd try out the stamp, which arrived about a week ago.  I love text and the allusion of text or words...that's perhaps not all that surprising.  I've wanted a stamp like this for a very long time, but have never got round to buying one.  This one will do nicely.

So...I also discovered that I'd let the paint dry on the glass board I'd been using to roll out the paint for printing.  Unthinking, I dumped more paint on, and started to work.  Thoughtlessness and laziness are a deadly combination... look what happened....

That texture is the result of the dried-up paint being rehydrated, catching on the roller and peeling off.  This is Not A Good Thing.  Reader, I trust you will not be doing this, for lo, I am a Bad Example.  If I'd thought about it, I could have turned the board over before I started, and used the other side (I didn't).  So in the end, I scraped as much of the dried up paint as I could, before wiping the board with a floor wipe (face wipes really aren't big enough for studio use).  And I started again.

I wanted to start to build up a couple of layers, so took a piece of lutradur 120 which had already been coloured,  stamped the text on it, and then made a monoprint on top of that.  The monoprint was in two sections, as you can see from the photographs.

I think this has interesting textures.  The paint for the monoprint was added to an old lino block (the proper, traditional lino); it seemed to work fairly well.  And we're back to waiting for the machine to come home... I think a phone call on Monday will be in order, given that there's a queue building up.