Remembrance.
The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it. Omar Khayyam
The worst of it is hidden in the dark,
Where nobody at all can ever find it;
The bad things, (like the fights, the slaps, the sobbing
On the bedspread til I slept still sitting up,
Chastised for some infringement
That I cannot now remember, and would not have been
That much), all those bad things I have brought into the open, understood, accepted,
Shrunk to their proper size. The randomness of it all
Is like my childhood, rule today, reverse tomorrow,
Punishment inevitable as Mister Frost in winter, icing
up the windows from inside. At the time, my sister
was so sure that he was real, wanted to make him pay
For every sharp waking, frozen, in the night...
But she grew out of it. Eventually, I learned
That every pleasant moment had its darkness,
A word, a slap, a scratch, until I cried,
Then, 'something to be cried about'...so
I grew up convinced that all the good things
Do not last, may be stripped away by anyone
At any given moment, while happiness,
Like Jack Frost, lived in books.
Pleasant moments rarely come to mind:
So linked to darkness, little is remembered.
Snippets of my past, all coalescing. Adam
And his pandrops, Auntie Bell, high tea (with more
than one bit of cake). More pandrops in the kirk
From Auntie Ebbie on a Sunday, purloined
From her brother, a surreptitious sharing, with
No crunching. I really don't remember
Any more. There must be something. Surely
There must be something. Clouds have silver linings,
Sun with rain brings rainbows: surely there were more?
I think every artist aims to share something of themselves with every piece of work. This feels like the ultimate in exposure in comparison with visual art, where meanings are cloaked in metaphor and subtlety. Words are much harder to work with for just that reason; give me a paintbrush any time.
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