It started with one of Cara's paintings, this one, to be precise.
I like this one. I think it's to do with the amount of space there is between the elements. Space intrigues me... so I did a couple of versions of my own, to see if I could work out what it was I liked about it.
My version is pared back even further. It has the feeling of a landscape....a Norfolk landscape, all sky and flatness. And at that point, I thought, textile. And transparent cloth. And that's when it started going to hell in a handcart. Because my selection of transparent cloth is fairly limited...so I went with what I had. The top section of this is great...the bottom...bleh...
Meet Blue Moon. The top is a small piece of hand dyed silk organza, and that works pretty well. The bottom is also hand dyed silk, and looked okay before I applied it, when there was light coming through it....but it's just Too Dark. The piece of ribbon and the stitch I added doesn't help, nor did the light coloured ribbon, or the silver paint I daubed it with, in the hope of making it just a bit lighter...sigh.
So that's what I'm unpicking. I have absolutely no idea what I'll add in its place, but I do know it mustn't be dark. I think I might hand paint some silk organza to use; I may not have that much of a selection of finished cloth, but I do have some silk for dyeing. And we'll see how that goes. Sadly, I can't remove the silver paint from the white cloth, so that, too needs to be thought through. I also suspect that the square format it's in isn't doing it any favours; it messes up the balance of the two elements... plenty of space, but in the wrong places (yes, it's a napkin...I use them for sketches). It's a sketch; that's what it's for, of course, but I don't usually misjudge quite so badly. Hey ho...onwards and upwards...
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