...what I know, is one of my favourite things to do. I miss running workshops, and coaching people, more than almost everything else. I had a visitor yesterday, and took her into the studio to see the paintings and monoprints I've been making recently. And when she asked how I made the paintings, it seemed easiest to show her, rather than try to explain. And these two pieces were the end result, a painting, and a monoprint taken from the painting.
The paint was quite thin, so the guidelines in the top piece are clearly visible. I'm not actually sure that that's a bad thing. They're both interesting, in different ways. My friend left, determined to try it for herself, which is a good thing. The more people making art, the better, after all.
I told her, during the session, that the thing to do was to trust oneself, and trust the paint ( I should have said, trust the process, but hey...). And interestingly, when going through some old journals, looking for some notes I made for a possible book (didn't find 'em), I found this. 'There is something about just letting the paint be paint... that it will ultimately be part of a landscape is irrelevant. Work it as it needs to be worked and it will come together eventually, and you will have what you will have.'. Which is really what I was trying to say. At least I'm consistent: that must have been written at least ten years ago. It works for fabric, too.
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