I love the textures and colours in this, and my initial intention was to make some long stitches in parallel running down the way. Because I wanted to work small, I printed it out on some commercially prepared cotton...well, actually, it turned out to be silk organza. That proved to be an additional bonus, as you will see. But the transparency both added and detracted; I found myself struggling to put something behind the image that worked well. In the end, I tried a stitched piece, which worked like a charm. It was a piece of lutradur to which I had added encaustic paints, and then stitched. Here's the back of the finished piece, to give you an idea of what I started with;
And here is how it turned out...
and yes, I used those long stitches I was talking about earlier, though there is a row of small stitches at either long side, to keep the thing together. And that's that, right?
Well, actually, no. The thing about using silk organza, is that a lot of ink gets transferred to the backing paper. And it would be wasteful to ignore that, right?
This is Ghost Tree, made from the backing paper, collaged onto mountboard, with swirls of shimmery medium to suggest mist. I'm quite pleased. If you get very close up and personal with the piece, you can see silver leaf shapes drawn onto the board, my original intention, but somehow, it wasn't enough.
So there you go; two for the price of one...and counting. I still have some scraps to use up, probably in another collage. Collaboration is fun...why not try it?